We Shall Meet in the Place Where There is no Darkness (Jaguar),  2016  Bronze, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Frame  56.25 x 70.25 in  Photo: Tara J Graves

We Shall Meet in the Place Where There is no Darkness (Jaguar), 2016

Bronze, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Frame

56.25 x 70.25 in

Photo: Tara J Graves

  Lay Me Down in a Bed of Roses (When I'm Gone),  2016  Oxford Pima Cotton Woven Shirting, Mouliné Stranded Cotton, Ash Frame  61.5 x 115.5 in - United States Government Specification Burial Flag Dimensions (G-spec)  Photo: Tara J Graves

Lay Me Down in a Bed of Roses (When I'm Gone), 2016

Oxford Pima Cotton Woven Shirting, Mouliné Stranded Cotton, Ash Frame

61.5 x 115.5 in - United States Government Specification Burial Flag Dimensions (G-spec)

Photo: Tara J Graves

  Terracotta Posey Still Life (La Maceta),  2018  Bronze, Acrylic Polyurethane, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Corners  60 x 40 x 2 in  Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

Terracotta Posey Still Life (La Maceta), 2018

Bronze, Acrylic Polyurethane, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Corners

60 x 40 x 2 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

  Carry Yourself with the Confidence of Mediocre White Man (Mar-a-Lago),  2017  Bronze, Etched Mirror, Corrugated Cardboard Frame  68 x 54 x 2 in  Photo: Jenna Gard

Carry Yourself with the Confidence of Mediocre White Man (Mar-a-Lago), 2017

Bronze, Etched Mirror, Corrugated Cardboard Frame

68 x 54 x 2 in

Photo: Jenna Gard

  Kings Are Killed, Politics is Power (Good Night and Good Luck),  2018  Bronze, Image Transfer on Birch Panel  55.25 x 46 x 2 in  Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

Kings Are Killed, Politics is Power (Good Night and Good Luck), 2018

Bronze, Image Transfer on Birch Panel

55.25 x 46 x 2 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

  Hasta la Proxima (Erase Me),  2018  Image Transfer on Gypsum Board, Black Walnut, Oil Stick on Paper  60 x 40 x 3 in  Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

Hasta la Proxima (Erase Me), 2018

Image Transfer on Gypsum Board, Black Walnut, Oil Stick on Paper

60 x 40 x 3 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

  Every Time I See 'em Somethin' Wrong with they Memory (Got a Lotta Enemies),  2016  Bronze, Black Walnut, Oil Stick, Gel Transfer on Drywall, Stainless Steel Frame  49 x 60.75 in  Photo: Tara J Graves

Every Time I See 'em Somethin' Wrong with they Memory (Got a Lotta Enemies), 2016

Bronze, Black Walnut, Oil Stick, Gel Transfer on Drywall, Stainless Steel Frame

49 x 60.75 in

Photo: Tara J Graves

  If You are Reading This it’s Too Late (After Christopher Wool),  2018  House Paint on Canvas  75 x 55 x 2 in  Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

If You are Reading This it’s Too Late (After Christopher Wool), 2018

House Paint on Canvas

75 x 55 x 2 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

  Guess Who Is Coming to Dinner (The Chickens Have Come Home to Roost),  2015  Dutch Boy House Paint, Urethane on Gingham Tablecloth, Pendleton Serape  63.5 x 60.5 in  Photo: Jenna Gard

Guess Who Is Coming to Dinner (The Chickens Have Come Home to Roost), 2015

Dutch Boy House Paint, Urethane on Gingham Tablecloth, Pendleton Serape

63.5 x 60.5 in

Photo: Jenna Gard

  Don’t Let My Glad Expression Give You The Wrong Impression (After Jasper Johns),  2015  Dutch Boy House Paint, on Pendleton Wool Selvage, Gingham Table Cloth  108 x 78 in  Photo: Jenna Gard

Don’t Let My Glad Expression Give You The Wrong Impression (After Jasper Johns), 2015

Dutch Boy House Paint, on Pendleton Wool Selvage, Gingham Table Cloth

108 x 78 in

Photo: Jenna Gard

  For Arturo's Sake,  2016  Louisville Slugger, Lard, Mexican Confetti  38 X 10.75 X 10.75 in  Photo: Tara J Graves

For Arturo's Sake, 2016

Louisville Slugger, Lard, Mexican Confetti

38 X 10.75 X 10.75 in

Photo: Tara J Graves

  Birds of a Feather,  2018  Bronze, Coated Cable  23 x 7 x 11 in  Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

Birds of a Feather, 2018

Bronze, Coated Cable

23 x 7 x 11 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

  This is Your Life Now,  2016  Bronze  5 x 6.5 x 11 in  Variable edition of 10  Photo: Tara J Graves

This is Your Life Now, 2016

Bronze

5 x 6.5 x 11 in

Variable edition of 10

Photo: Tara J Graves

  America (El Dia que Llego la Llorona),  2018  Cast Acrylic, Wax, Wick  74.25 x 17 x 17 in  Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

America (El Dia que Llego la Llorona), 2018

Cast Acrylic, Wax, Wick

74.25 x 17 x 17 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

  The West Will Never Win and I Will Not Concede (Rainier) , 2016  Pendleton Wool, Bronze, Oil Stick  66 x 81.25 in  Photo: Tara J Graves

The West Will Never Win and I Will Not Concede (Rainier), 2016

Pendleton Wool, Bronze, Oil Stick

66 x 81.25 in

Photo: Tara J Graves

  Untitled (Badlands),  2018  Pendleton Wool, Oil Stick  55 x 72 x 2 in  Photo: Tara J Graves

Untitled (Badlands), 2018

Pendleton Wool, Oil Stick

55 x 72 x 2 in

Photo: Tara J Graves

  Above and Beyond with Reasonable Doubt (GrandCanyon),  2015  Pendleton Wool, Oil Stick  72 x 55 x 2 in  Photo: Jenna Gard

Above and Beyond with Reasonable Doubt (GrandCanyon), 2015

Pendleton Wool, Oil Stick

72 x 55 x 2 in

Photo: Jenna Gard

  When All You Have Left are Limes, Make Margaritas, Nod and Smile; Old and Faithful Since 1848 (Yellowstone),  2015  Pendleton Wool, Oil Stick  72 x 55 x 2 in  Photo: Jenna Gard

When All You Have Left are Limes, Make Margaritas, Nod and Smile; Old and Faithful Since 1848 (Yellowstone), 2015

Pendleton Wool, Oil Stick

72 x 55 x 2 in

Photo: Jenna Gard

  Yerba Buena, Buffalo Soldiers, Three Strikes (Yosemite),  2015  Pendleton Wool, Oil Stick  72 x 55 x 2 in  Photo: Jenna Gard

Yerba Buena, Buffalo Soldiers, Three Strikes (Yosemite), 2015

Pendleton Wool, Oil Stick

72 x 55 x 2 in

Photo: Jenna Gard

  Beauty In the Age of Innocence (A Silver Lining Stranglehold),  Detail,   2015  Dutch Boy House Paint on Pendleton Wool Serape, Gingham Table Cloth, Black Walnut, Stainless Steel   108 x 24 x 12 in   Photo: Jenna Gard

Beauty In the Age of Innocence (A Silver Lining Stranglehold), Detail, 2015

Dutch Boy House Paint on Pendleton Wool Serape, Gingham Table Cloth, Black Walnut, Stainless Steel

108 x 24 x 12 in

Photo: Jenna Gard

  FIN (The End of the Line),  2015  Gilded Cast Iron, Pendleton Wool Selvage, Copenhagen Chewing Tobacco  44 x 19 x 7 in  Photo: Tara J Graves

FIN (The End of the Line), 2015

Gilded Cast Iron, Pendleton Wool Selvage, Copenhagen Chewing Tobacco

44 x 19 x 7 in

Photo: Tara J Graves

  Untitled (Pale Horse y Hombre),  2017  Cement, Acrylic Polyurethane Paint, Live Foliage  28.5 x 26.5 x 45 in  Photo: Jenna Gard

Untitled (Pale Horse y Hombre), 2017

Cement, Acrylic Polyurethane Paint, Live Foliage

28.5 x 26.5 x 45 in

Photo: Jenna Gard