Y Llegaron Las Flores (The Funeral) 2022
Acrylic, Oil Stick and Resin on Pendleton Wool
70 x 52.5 x 2 in.
Photo: Brianna Wray
Got a Beach House I Could Sell You In Idaho (Pearly Gates Free), 2022
Acrylic, Oil Stick and Resin on Pendleton Wool
60 x 45 x 2 in.
Photo: Brianna Wray
The Enemies of Freedom Do Not Argue (They Just Shoot), 2022
Mouline Stranded Cotton Embroidery on Black Cotton Velveteen, Artist’s Frame and Corrugated Cardboard
60 x 38.5 x 2 in.
Photo: Brianna Wray
The One That Calls Itself Our Protector and Makes Us It’s Slaves (Glacier), 2022
Acrylic and Oil Stick on Pendleton Wool
84 x 63 x 2 in.
Photo: Brianna Wray
When They Do, I’ll Be Right Behind You (Captain America), 2022
Acrylic and Oil Stick on Pendleton Wool
60 x 53 x 2 in.
Photo: Brianna Wray
Power is Not a Means, It Is an End, 2022
Acrylic and Oil Stick on Canvas
75 x 55 x 2 in.
Photo: Brianna Wray
Up Close and Personal, 2022
Acrylic and Oil Stick on Canvas
75 x 55 x 2 in.
Photo: Brianna Wray
You Get These Words Wrong... Every Time (I Just Smile), 2019
Bronze, Acrylic Polyurethane, UV Print, Oil Stick and Vinyl on Birch Panel 55.25 x 46 x 2 in.
Image courtesy of the Greg Kucera Gallery
We Shall Meet in the Place Where There is no Darkness (Jaguar), 2017
Bronze, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Frame
56.25 x 70.25 in
Photo: Tara J Graves
Lay Me Down in a Bed of Roses (When I'm Gone), 2017
Oxford Pima Cotton Woven Shirting, Mouliné Stranded Cotton, Ash Frame
61.5 x 115.5 in - United States Government Specification Burial Flag Dimensions (G-spec)
Photo: Tara J Graves
Terracotta Posey Still Life (La Maceta), 2018
Bronze, Acrylic Polyurethane, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Corners
60 x 40 x 2 in
Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods
Carry Yourself with the Confidence of Mediocre White Man (Mar-a-Lago), 2017
Bronze, Etched Mirror, Corrugated Cardboard Frame
68 x 54 x 2 in
Photo: Jenna Gard
Kings Are Killed, Politics is Power (Good Night and Good Luck), 2018
Bronze, Image Transfer on Birch Panel
55.25 x 46 x 2 in
Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods
Hasta la Proxima (Erase Me), 2018
Image Transfer on Gypsum Board, Black Walnut, Oil Stick on Paper
60 x 40 x 3 in
Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods
Every Time I See 'em Somethin' Wrong with they Memory (Got a Lotta Enemies), 2017
Bronze, Black Walnut, Oil Stick, Gel Transfer on Drywall, Stainless Steel Frame
49 x 60.75 in
Photo: Tara J Graves
If You are Reading This it’s Too Late (After Christopher Wool), 2018
House Paint on Canvas
75 x 55 x 2 in
Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods
Guess Who Is Coming to Dinner (The Chickens Have Come Home to Roost), 2017
House Paint and Urethane on Gingham Tablecloth, Pendleton Wool Serape
63.5 x 60.5 in
Photo: Jenna Gard
Don’t Let My Glad Expression Give You The Wrong Impression (After Jasper Johns), 2017
House Paint, Gingham Table Cloth, Pendleton Wool Selvage
108 x 78 in
Photo: Jenna Gard
Por El Bien De Arturo (Swing Away), 2017
Louisville Slugger, Lard, Mexican Confetti
38 X 10.75 X 10.75 in
Photo: Tara J Graves
Birds of a Feather, 2018
Bronze, Coated Cable
23 x 7 x 11 in
Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods
America (El Dia que Llego la Llorona), 2018
Cast Acrylic, Wax, Wick
74.25 x 17 x 17 in
Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods
The West Will Never Win and I Will Not Concede (Rainier), 2017
Pendleton Wool, Bronze, Oil Stick
66 x 81.25 in
Photo: Tara J Graves
Untitled (Badlands), 2018
Pendleton Wool, Oil Stick
55 x 72 x 2 in
Photo: Tara J Graves
Above and Beyond with Reasonable Doubt (GrandCanyon), 2015
Pendleton Wool, Oil Stick
72 x 55 x 2 in
Photo: Jenna Gard
When All You Have Left are Limes, Make Margaritas, Nod and Smile; Old and Faithful Since 1848 (Yellowstone), 2015
Pendleton Wool, Oil Stick
72 x 55 x 2 in
Photo: Jenna Gard
Yerba Buena, Buffalo Soldiers, Three Strikes (Yosemite), 2015
Pendleton Wool, Oil Stick
72 x 55 x 2 in
Photo: Jenna Gard
Beauty In the Age of Innocence (A Silver Lining Stranglehold), Detail, 2015
Dutch Boy House Paint on Pendleton Wool Serape, Gingham Table Cloth, Black Walnut, Stainless Steel
108 x 24 x 12 in
Photo: Jenna Gard
FIN (The End of the Line), 2015
Gilded Cast Iron, Pendleton Wool Selvage, Copenhagen Chewing Tobacco
44 x 19 x 7 in
Photo: Tara J Graves
Untitled (Pale Horse y Hombre), 2017
Cement, Acrylic Polyurethane Paint, Live Foliage
28.5 x 26.5 x 45 in
Photo: Jenna Gard
All Works (Homepage)