Y Llegaron Las Flores (The Funeral) 2022

Acrylic, Oil Stick and Resin on Pendleton Wool

70 x 52.5 x 2 in.

Photo: Brianna Wray

Got a Beach House I Could Sell You In Idaho (Pearly Gates Free), 2022

Acrylic, Oil Stick and Resin on Pendleton Wool

60 x 45 x 2 in.

Photo: Brianna Wray

The Enemies of Freedom Do Not Argue (They Just Shoot), 2022

Mouline Stranded Cotton Embroidery on Black Cotton Velveteen, Artist’s Frame and Corrugated Cardboard

60 x 38.5 x 2 in.

Photo: Brianna Wray

The One That Calls Itself Our Protector and Makes Us It’s Slaves (Glacier), 2022

Acrylic and Oil Stick on Pendleton Wool

84 x 63 x 2 in.

Photo: Brianna Wray

When They Do, I’ll Be Right Behind You (Captain America), 2022

Acrylic and Oil Stick on Pendleton Wool

60 x 53 x 2 in.

Photo: Brianna Wray

Power is Not a Means, It Is an End, 2022

Acrylic and Oil Stick on Canvas

75 x 55 x 2 in.

Photo: Brianna Wray

Up Close and Personal, 2022

Acrylic and Oil Stick on Canvas

75 x 55 x 2 in.

Photo: Brianna Wray

You Get These Words Wrong... Every Time (I Just Smile), 2019

Bronze, Acrylic Polyurethane, UV Print, Oil Stick and Vinyl on Birch Panel 55.25 x 46 x 2 in.

Image courtesy of the Greg Kucera Gallery

We Shall Meet in the Place Where There is no Darkness (Jaguar), 2017

Bronze, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Frame

56.25 x 70.25 in

Photo: Tara J Graves

Lay Me Down in a Bed of Roses (When I'm Gone), 2017

Oxford Pima Cotton Woven Shirting, Mouliné Stranded Cotton, Ash Frame

61.5 x 115.5 in - United States Government Specification Burial Flag Dimensions (G-spec)

Photo: Tara J Graves

Terracotta Posey Still Life (La Maceta), 2018

Bronze, Acrylic Polyurethane, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Corners

60 x 40 x 2 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

Carry Yourself with the Confidence of Mediocre White Man (Mar-a-Lago), 2017

Bronze, Etched Mirror, Corrugated Cardboard Frame

68 x 54 x 2 in

Photo: Jenna Gard

Kings Are Killed, Politics is Power (Good Night and Good Luck), 2018

Bronze, Image Transfer on Birch Panel

55.25 x 46 x 2 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

Hasta la Proxima (Erase Me), 2018

Image Transfer on Gypsum Board, Black Walnut, Oil Stick on Paper

60 x 40 x 3 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

Every Time I See 'em Somethin' Wrong with they Memory (Got a Lotta Enemies), 2017

Bronze, Black Walnut, Oil Stick, Gel Transfer on Drywall, Stainless Steel Frame

49 x 60.75 in

Photo: Tara J Graves

If You are Reading This it’s Too Late (After Christopher Wool), 2018

House Paint on Canvas

75 x 55 x 2 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

Guess Who Is Coming to Dinner (The Chickens Have Come Home to Roost), 2017

House Paint and Urethane on Gingham Tablecloth, Pendleton Wool Serape

63.5 x 60.5 in

Photo: Jenna Gard

Don’t Let My Glad Expression Give You The Wrong Impression (After Jasper Johns), 2017

House Paint, Gingham Table Cloth, Pendleton Wool Selvage

108 x 78 in

Photo: Jenna Gard

Por El Bien De Arturo (Swing Away), 2017

Louisville Slugger, Lard, Mexican Confetti

38 X 10.75 X 10.75 in

Photo: Tara J Graves

Birds of a Feather, 2018

Bronze, Coated Cable

23 x 7 x 11 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

America (El Dia que Llego la Llorona), 2018

Cast Acrylic, Wax, Wick

74.25 x 17 x 17 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

The West Will Never Win and I Will Not Concede (Rainier), 2017

Pendleton Wool, Bronze, Oil Stick

66 x 81.25 in

Photo: Tara J Graves

Untitled (Badlands), 2018

Pendleton Wool, Oil Stick

55 x 72 x 2 in

Photo: Tara J Graves

Above and Beyond with Reasonable Doubt (GrandCanyon), 2015

Pendleton Wool, Oil Stick

72 x 55 x 2 in

Photo: Jenna Gard

When All You Have Left are Limes, Make Margaritas, Nod and Smile; Old and Faithful Since 1848 (Yellowstone), 2015

Pendleton Wool, Oil Stick

72 x 55 x 2 in

Photo: Jenna Gard

Yerba Buena, Buffalo Soldiers, Three Strikes (Yosemite), 2015

Pendleton Wool, Oil Stick

72 x 55 x 2 in

Photo: Jenna Gard

Beauty In the Age of Innocence (A Silver Lining Stranglehold), Detail, 2015

Dutch Boy House Paint on Pendleton Wool Serape, Gingham Table Cloth, Black Walnut, Stainless Steel

108 x 24 x 12 in

Photo: Jenna Gard

FIN (The End of the Line), 2015

Gilded Cast Iron, Pendleton Wool Selvage, Copenhagen Chewing Tobacco

44 x 19 x 7 in

Photo: Tara J Graves

Untitled (Pale Horse y Hombre), 2017

Cement, Acrylic Polyurethane Paint, Live Foliage

28.5 x 26.5 x 45 in

Photo: Jenna Gard