Birds of a Feather,  2018   Bronze, Coated Cable  23 x 7 x 11 in  Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods   Details >

Birds of a Feather, 2018

Bronze, Coated Cable

23 x 7 x 11 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

Details >

   If You are Reading This it’s Too Late (After Christopher Wool),  2018   House Paint on Canvas  75 x 55 x 2 in  Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

If You are Reading This it’s Too Late (After Christopher Wool), 2018

House Paint on Canvas

75 x 55 x 2 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

   America (El Dia que Llego la Llorona),  2018   Cast Acrylic, Wax, Wick  74.25 x 17 x 17 in  Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

America (El Dia que Llego la Llorona), 2018

Cast Acrylic, Wax, Wick

74.25 x 17 x 17 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

   Terracotta Posey Still Life (La Maceta),  2018   Bronze, Acrylic Polyurethane, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Corners  60 x 40 x 2 in  Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

Terracotta Posey Still Life (La Maceta), 2018

Bronze, Acrylic Polyurethane, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Corners

60 x 40 x 2 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

   Beauty In the Age of Innocence (A Silver Lining Stranglehold),  2015   Dutch Boy House Paint on Pendleton Wool Serape, Gingham Table Cloth, Black Walnut, Stainless Steel  108 x 24 x 12 in  Photo: Jenna Gard   Details >

Beauty In the Age of Innocence (A Silver Lining Stranglehold), 2015

Dutch Boy House Paint on Pendleton Wool Serape, Gingham Table Cloth, Black Walnut, Stainless Steel

108 x 24 x 12 in

Photo: Jenna Gard

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   We Shall Meet in the Place Where There is no Darkness (Jaguar),  2016   Bronze, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Frame  56.25 x 70.25 in  Photo: Tara J Graves   Details >

We Shall Meet in the Place Where There is no Darkness (Jaguar), 2016

Bronze, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Frame

56.25 x 70.25 in

Photo: Tara J Graves

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   Lay Me Down in a Bed of Roses (When I'm Gone),  2016   Oxford Pima Cotton Woven Shirting, Mouliné Stranded Cotton, Ash Frame  61.5 x 115.5 in - United States Government Specification Burial Flag Dimensions (G-spec)  Photo: Tara J Graves   Details >

Lay Me Down in a Bed of Roses (When I'm Gone), 2016

Oxford Pima Cotton Woven Shirting, Mouliné Stranded Cotton, Ash Frame

61.5 x 115.5 in - United States Government Specification Burial Flag Dimensions (G-spec)

Photo: Tara J Graves

Details >

   Kings Are Killed, Politics is Power (Good Night and Good Luck),  2018   Bronze, Image Transfer on Birch Panel  55.25 x 46 x 2 in  Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

Kings Are Killed, Politics is Power (Good Night and Good Luck), 2018

Bronze, Image Transfer on Birch Panel

55.25 x 46 x 2 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

   Carry Yourself with the Confidence of Mediocre White Man (Mar-a-Lago),  2017   Bronze, Etched Mirror, Corrugated Cardboard Frame  68 x 54 x 2 in  Photo: Jenna Gard

Carry Yourself with the Confidence of Mediocre White Man (Mar-a-Lago), 2017

Bronze, Etched Mirror, Corrugated Cardboard Frame

68 x 54 x 2 in

Photo: Jenna Gard

   Hasta la Proxima (Erase Me),  2018   Image Transfer on Gypsum Board, Black Walnut, Oil Stick on Paper  60 x 40 x 3 in  Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods

Hasta la Proxima (Erase Me), 2018

Image Transfer on Gypsum Board, Black Walnut, Oil Stick on Paper

60 x 40 x 3 in

Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods