Birds of a Feather, 2018
Bronze, Coated Cable
23 x 7 x 11 in
Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods
If You are Reading This it’s Too Late (After Christopher Wool), 2018
House Paint on Canvas
75 x 55 x 2 in
Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods
America (El Dia que Llego la Llorona), 2018
Cast Acrylic, Wax, Wick
74.25 x 17 x 17 in
Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods
Terracotta Posey Still Life (La Maceta), 2018
Bronze, Acrylic Polyurethane, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Corners
60 x 40 x 2 in
Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods
Beauty In the Age of Innocence (A Silver Lining Stranglehold), 2015
Dutch Boy House Paint on Pendleton Wool Serape, Gingham Table Cloth, Black Walnut, Stainless Steel
108 x 24 x 12 in
Photo: Jenna Gard
We Shall Meet in the Place Where There is no Darkness (Jaguar), 2017
Bronze, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Frame
56.25 x 70.25 in
Photo: Tara J Graves
Lay Me Down in a Bed of Roses (When I'm Gone), 2017
Oxford Pima Cotton Woven Shirting, Mouliné Stranded Cotton, Ash Frame
61.5 x 115.5 in - United States Government Specification Burial Flag Dimensions (G-spec)
Photo: Tara J Graves
Kings Are Killed, Politics is Power (Good Night and Good Luck), 2018
Bronze, Image Transfer on Birch Panel
55.25 x 46 x 2 in
Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods
Carry Yourself with the Confidence of Mediocre White Man (Mar-a-Lago), 2017
Bronze, Etched Mirror, Corrugated Cardboard Frame
68 x 54 x 2 in
Photo: Jenna Gard
Hasta la Proxima (Erase Me), 2018
Image Transfer on Gypsum Board, Black Walnut, Oil Stick on Paper
60 x 40 x 3 in
Image courtesy of the Frye Art Museum, Seattle. Photo: Mark Woods