Selected Works (Details)

Featured
This is Your Life Now,  2016 Bronze 5 x 6.5 x 11 in Variable edition of 10 Photo: Tara J Graves

This is Your Life Now, 2016

Bronze

5 x 6.5 x 11 in

Variable edition of 10

Photo: Tara J Graves

This is Your Life Now,  2016 Bronze 5 x 6.5 x 11 in Photo: Tara J Graves

This is Your Life Now, 2016

Bronze

5 x 6.5 x 11 in

Photo: Tara J Graves

This is Your Life Now,  2016 Bronze 5 x 6.5 x 11 in Photo: Tara J Graves

This is Your Life Now, 2016

Bronze

5 x 6.5 x 11 in

Photo: Tara J Graves

This is Your Life Now,  2016 Bronze 5 x 6.5 x 11 in Photo: Tara J Graves

This is Your Life Now, 2016

Bronze

5 x 6.5 x 11 in

Photo: Tara J Graves

This is Your Life Now,  2016 Bronze 5 x 6.5 x 11 in Photo: Tara J Graves

This is Your Life Now, 2016

Bronze

5 x 6.5 x 11 in

Photo: Tara J Graves

This is Your Life Now,  2016 Bronze 5 x 6.5 x 11 in Photo: Tara J Graves

This is Your Life Now, 2016

Bronze

5 x 6.5 x 11 in

Photo: Tara J Graves

This is Your Life Now,  2016 Bronze 5 x 6.5 x 11 in Photo: Tara J Graves

This is Your Life Now, 2016

Bronze

5 x 6.5 x 11 in

Photo: Tara J Graves

This is Your Life Now,  2016 Bronze 5 x 6.5 x 11 in Photo: Tara J Graves

This is Your Life Now, 2016

Bronze

5 x 6.5 x 11 in

Photo: Tara J Graves

Featured
Lay Me Down in a Bed of Roses (When I'm Gone), 2016 Oxford Pima Cotton Woven Shirting, Mouliné Stranded Cotton, Ash Frame 61.5 x 115.5 in - United States Government Specification Burial Flag Dimensions (G-spec) Photo: Tara J Graves  

Lay Me Down in a Bed of Roses (When I'm Gone), 2016

Oxford Pima Cotton Woven Shirting, Mouliné Stranded Cotton, Ash Frame

61.5 x 115.5 in - United States Government Specification Burial Flag Dimensions (G-spec)

Photo: Tara J Graves

 

Lay Me Down in a Bed of Roses (When I'm Gone), Detail,   2016 Oxford Pima Cotton Woven Shirting, Mouliné Stranded Cotton, Ash Frame 61.5 x 115.5 in - United States Government Specification Burial Flag Dimensions (G-spec) Photo: Tara J Graves

Lay Me Down in a Bed of Roses (When I'm Gone), Detail, 2016

Oxford Pima Cotton Woven Shirting, Mouliné Stranded Cotton, Ash Frame

61.5 x 115.5 in - United States Government Specification Burial Flag Dimensions (G-spec)

Photo: Tara J Graves

Lay Me Down in a Bed of Roses (When I'm Gone),  Detail,   2016 Oxford Pima Cotton Woven Shirting, Mouliné Stranded Cotton, Ash Frame 61.5 x 115.5 in - United States Government Specification Burial Flag Dimensions (G-spec) Photo: Tara J Graves

Lay Me Down in a Bed of Roses (When I'm Gone), Detail, 2016

Oxford Pima Cotton Woven Shirting, Mouliné Stranded Cotton, Ash Frame

61.5 x 115.5 in - United States Government Specification Burial Flag Dimensions (G-spec)

Photo: Tara J Graves

Featured
We Shall Meet in the Place Where There is no Darkness (Jaguar), 2016 Bronze, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Frame 56.25 x 70.25 in Photo: Tara J Graves

We Shall Meet in the Place Where There is no Darkness (Jaguar), 2016

Bronze, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Frame

56.25 x 70.25 in

Photo: Tara J Graves

We Shall Meet in the Place Where There is no Darkness (Jaguar),  2016 Bronze, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Frame 56.25 x 70.25 in Photo: Tara J Graves

We Shall Meet in the Place Where There is no Darkness (Jaguar), 2016

Bronze, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Frame

56.25 x 70.25 in

Photo: Tara J Graves

We Shall Meet in the Place Where There is no Darkness (Jaguar),  Detail,   2016 Bronze, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Frame 56.25 x 70.25 in Photo: Tara J Graves

We Shall Meet in the Place Where There is no Darkness (Jaguar), Detail, 2016

Bronze, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Frame

56.25 x 70.25 in

Photo: Tara J Graves

We Shall Meet in the Place Where There is no Darkness (Jaguar),  Detail,   2016 Bronze, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Frame 56.25 x 70.25 in Photo: Tara J Graves

We Shall Meet in the Place Where There is no Darkness (Jaguar), Detail, 2016

Bronze, Black Cotton Velveteen, Mouliné Stranded Cotton, Corrugated Cardboard Frame

56.25 x 70.25 in

Photo: Tara J Graves

Featured
Every Time I See 'em Somethin' Wrong with they Memory (Got a Lotta Enemies), 2016 Bronze, Black Walnut, Oil Stick, Gel Transfer on Drywall, Stainless Steel Frame 49 x 60.75 in Photo: Tara J Graves

Every Time I See 'em Somethin' Wrong with they Memory (Got a Lotta Enemies), 2016

Bronze, Black Walnut, Oil Stick, Gel Transfer on Drywall, Stainless Steel Frame

49 x 60.75 in

Photo: Tara J Graves

Every Time I See 'em Somethin' Wrong with they Memory (Got a Lotta Enemies),  2016 Bronze, Black Walnut, Oil Stick, Gel Transfer on Drywall, Stainless Steel Frame 49 x 60.75 in Photo: Tara J Graves

Every Time I See 'em Somethin' Wrong with they Memory (Got a Lotta Enemies), 2016

Bronze, Black Walnut, Oil Stick, Gel Transfer on Drywall, Stainless Steel Frame

49 x 60.75 in

Photo: Tara J Graves

Every Time I See 'em Somethin' Wrong with they Memory (Got a Lotta Enemies),  Detail, 2016 Bronze, Black Walnut, Oil Stick, Gel Transfer on Drywall, Stainless Steel Frame 49 x 60.75 in Photo: Tara J Graves

Every Time I See 'em Somethin' Wrong with they Memory (Got a Lotta Enemies), Detail, 2016

Bronze, Black Walnut, Oil Stick, Gel Transfer on Drywall, Stainless Steel Frame

49 x 60.75 in

Photo: Tara J Graves

Every Time I See 'em Somethin' Wrong with they Memory (Got a Lotta Enemies),  Detail, 2016 Bronze, Black Walnut, Oil Stick, Gel Transfer on Drywall, Stainless Steel Frame 49 x 60.75 in Photo: Tara J Graves

Every Time I See 'em Somethin' Wrong with they Memory (Got a Lotta Enemies), Detail, 2016

Bronze, Black Walnut, Oil Stick, Gel Transfer on Drywall, Stainless Steel Frame

49 x 60.75 in

Photo: Tara J Graves

Every Time I See 'em Somethin' Wrong with they Memory (Got a Lotta Enemies),  Detail, 2016 Bronze, Black Walnut, Oil Stick, Gel Transfer on Drywall, Stainless Steel Frame 49 x 60.75 in Photo: Tara J Graves

Every Time I See 'em Somethin' Wrong with they Memory (Got a Lotta Enemies), Detail, 2016

Bronze, Black Walnut, Oil Stick, Gel Transfer on Drywall, Stainless Steel Frame

49 x 60.75 in

Photo: Tara J Graves

Every Time I See 'em Somethin' Wrong with they Memory (Got a Lotta Enemies),  Detail, 2016 Bronze, Black Walnut, Oil Stick, Gel Transfer on Drywall, Stainless Steel Frame 49 x 60.75 in Photo: Tara J Graves

Every Time I See 'em Somethin' Wrong with they Memory (Got a Lotta Enemies), Detail, 2016

Bronze, Black Walnut, Oil Stick, Gel Transfer on Drywall, Stainless Steel Frame

49 x 60.75 in

Photo: Tara J Graves

Featured
For Arturo's Sake,  2016 Louisville Slugger, Lard, Mexican Confetti 38 X 10.75 X 10.75 in Photo: Tara J Graves

For Arturo's Sake, 2016

Louisville Slugger, Lard, Mexican Confetti

38 X 10.75 X 10.75 in

Photo: Tara J Graves

For Arturo's Sake,  Detail, 2016 Louisville Slugger, Lard, Mexican Confetti 38 X 10.75 X 10.75 in Photo: Tara J Graves

For Arturo's Sake, Detail, 2016

Louisville Slugger, Lard, Mexican Confetti

38 X 10.75 X 10.75 in

Photo: Tara J Graves

For Arturo's Sake,  Detail, 2016 Louisville Slugger, Lard, Mexican Confetti 38 X 10.75 X 10.75 in Photo: Tara J Graves

For Arturo's Sake, Detail, 2016

Louisville Slugger, Lard, Mexican Confetti

38 X 10.75 X 10.75 in

Photo: Tara J Graves

For Arturo's Sake,  Detail, 2016 Louisville Slugger, Lard, Mexican Confetti 38 X 10.75 X 10.75 in Photo: Tara J Graves

For Arturo's Sake, Detail, 2016

Louisville Slugger, Lard, Mexican Confetti

38 X 10.75 X 10.75 in

Photo: Tara J Graves

For Arturo's Sake,  Detail, 2016 Louisville Slugger, Lard, Mexican Confetti 38 X 10.75 X 10.75 in Photo: Tara J Graves

For Arturo's Sake, Detail, 2016

Louisville Slugger, Lard, Mexican Confetti

38 X 10.75 X 10.75 in

Photo: Tara J Graves

Featured
All is Not Quiet (The American Front),  2011/2016 Pine, OSHA Safety Blue Enamel, Bronze, Sand 96 x 144 x 216 in Photo: Eric Galey

All is Not Quiet (The American Front), 2011/2016

Pine, OSHA Safety Blue Enamel, Bronze, Sand

96 x 144 x 216 in

Photo: Eric Galey

All is Not Quiet (The American Front),  2011/2016 Pine, OSHA Safety Blue Enamel, Bronze, Sand 96 x 144 x 216 in Installation view, ‘Territory: Generational Triptychs’, Tacoma Art Museum of Arts and Culture, Spokane WA, 2011

All is Not Quiet (The American Front), 2011/2016

Pine, OSHA Safety Blue Enamel, Bronze, Sand

96 x 144 x 216 in

Installation view, ‘Territory: Generational Triptychs’, Tacoma Art Museum of Arts and Culture, Spokane WA, 2011

Featured
Beauty In the Age of Innocence (A Silver Lining Stranglehold),  2015 Dutch Boy House Paint on Pendleton Wool Serape, Gingham Table Cloth, Black Walnut, Stainless Steel 108 x 24 x 12 in Photo: Jenna Gard

Beauty In the Age of Innocence (A Silver Lining Stranglehold), 2015

Dutch Boy House Paint on Pendleton Wool Serape, Gingham Table Cloth, Black Walnut, Stainless Steel

108 x 24 x 12 in

Photo: Jenna Gard

Beauty In the Age of Innocence (A Silver Lining Stranglehold),  Detail,   2015 Dutch Boy House Paint on Pendleton Wool Serape, Gingham Table Cloth, Black Walnut, Stainless Steel 108 x 24 x 12 in Photo: Jenna Gard

Beauty In the Age of Innocence (A Silver Lining Stranglehold), Detail, 2015

Dutch Boy House Paint on Pendleton Wool Serape, Gingham Table Cloth, Black Walnut, Stainless Steel

108 x 24 x 12 in

Photo: Jenna Gard

Featured
Guess Who Is Coming to Dinner (The Chickens Have Come Home to Roost),  2015 Dutch Boy House Paint, Urethane on Gingham Tablecloth, Pendleton Serape 63.5 x 60.5 in Photo: Jenna Gard

Guess Who Is Coming to Dinner (The Chickens Have Come Home to Roost), 2015

Dutch Boy House Paint, Urethane on Gingham Tablecloth, Pendleton Serape

63.5 x 60.5 in

Photo: Jenna Gard

Guess Who Is Coming to Dinner (The Chickens Have Come Home to Roost), Detail,   2015 Dutch Boy House Paint, Urethane on Gingham Tablecloth, Pendleton Serape 63.5 x 60.5 in Photo: Jenna Gard

Guess Who Is Coming to Dinner (The Chickens Have Come Home to Roost), Detail, 2015

Dutch Boy House Paint, Urethane on Gingham Tablecloth, Pendleton Serape

63.5 x 60.5 in

Photo: Jenna Gard

Featured
Above and Beyond with Reasonable Doubt (GrandCanyon),  2015 Pendleton Wool, Oil Stick 72 x 55 x 2 in Photo: Jenna Gard

Above and Beyond with Reasonable Doubt (GrandCanyon), 2015

Pendleton Wool, Oil Stick

72 x 55 x 2 in

Photo: Jenna Gard

When All You Have Left are Limes, Make Margaritas, Nod and Smile; Old and Faithful Since 1848 (Yellowstone),  2015 Pendleton Wool, Oil Stick 72 x 55 x 2 in Photo: Jenna Gard

When All You Have Left are Limes, Make Margaritas, Nod and Smile; Old and Faithful Since 1848 (Yellowstone), 2015

Pendleton Wool, Oil Stick

72 x 55 x 2 in

Photo: Jenna Gard

Yerba Buena, Buffalo Soldiers, Three Strikes (Yosemite),  2015 Pendleton Wool, Oil Stick 72 x 55 x 2 in Photo: Jenna Gard

Yerba Buena, Buffalo Soldiers, Three Strikes (Yosemite), 2015

Pendleton Wool, Oil Stick

72 x 55 x 2 in

Photo: Jenna Gard

Installation view, ‘Defect(ed)’, Studio Two Zero Two, Walla Walla WA, 2015 Photo: Jenna Gard

Installation view, ‘Defect(ed)’, Studio Two Zero Two, Walla Walla WA, 2015

Photo: Jenna Gard

Installation view, ‘Northwest Art Now’, Tacoma Art Museum, Tacoma WA, 2016 Photo: Jenny Hyde

Installation view, ‘Northwest Art Now’, Tacoma Art Museum, Tacoma WA, 2016

Photo: Jenny Hyde